Info in Movie News | Pixar is the company that made its name with stories that are warm-hearted, creative and have characters that are brave. The studio got an opportunity with Elio to provide a new thing that was really and truly original - a science fiction story narrated from the perspective of a misunderstood boy who was suddenly given the job of Earth's ambassador to the universe. But while the final movie has its moments of charm, many are left wondering what it could have been.
According to The Hollywood Reporter, Elio began with a much more distinct voice. The movie was first directed by Adrian Molina, who co-directed Coco, and it had signs of his character and culture. Elio, the protagonist, was created to be odd, gentle, and talkative, not really a hero, but rather an outsider who is desperately looking for a place that would accept him in a world, and even a universe, which is full of misunderstands. In early versions, he wore fashion made from beach trash, including a pink tank top he proudly presented in a scene described by insiders as his “trash-ion show.”
This version of Elio, queer-coded, environmentally conscious, and emotionally open, resonated with early viewers inside Pixar. But as the project went through test screenings and leadership review, that vision began to fade. Concerns about box office appeal had resulted in changes that gradually led to the character being turned into something more “mainstream.” When the movie was released, most of Elio's original character traits had been erased.
On the other hand, these sorts of changes are pretty common in animation as well as in big studios. However, Elio is special indeed, as it was the original concept of the movie which was deeply connected with identity and representation that made it a particularly difficult case for some former Pixar staffers. Some who were involved in the project argued that the changes erased the interesting parts which made the story unique and therefore worth narrating. Still, there are also those who accept these changes and argue that the aim was to convert the movie into a more broadly relatable one.
The production saw further shakeups. Molina eventually stepped away from the project, reportedly declining to continue under a revised creative direction. Voice actor America Ferrera, originally cast as Elio’s mother, also left the movie, and her character was rewritten. Zoe Saldaña portrayed Elio’s aunt, the lead parental figure in his story.
In spite of the difficult making of the movie, Elio got positive reviews from both critics and the public. The picture gained more than 80% on Rotten Tomatoes and received an A+ CinemaScore from the younger audience. It is obvious that the movie still tells a lot of stories, particularly kids who think of Elio’s way of being different and confused in a new world.
On the other hand, those who have realized the extent of the movie’s potential might find the resulting product not convincing enough. Not bad, just... safe. And in a time when audiences are craving fresh, personal stories, safety might not be enough.
Whether Elio finds a second life through streaming or future discussions remains to be seen. What’s certain is that its journey offers a rare look into how studio decisions shape storytelling, and how much is sometimes lost in the process.
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